Showing posts with label Early Theater History. Show all posts
Showing posts with label Early Theater History. Show all posts

Monday, August 22, 2016

Exploring Theaters & Drive-ins of Brownsville, Texas

Thanks to all who read article on the Queen Theater.  We'll take a look at another one of Brownsville's earliest theaters in a future post.  We don't have a full history of each theater but we've come a long way since 2005 this was created in an early version of CorelDraw.   
2005 Javier R. Garcia

 If you'd like to find more stories on Bronsbil Estacion blog you can point mouse to orange blogger "B" at top left and enter search term to find more vintage photos and articles posted here by various sources. 
Sometimes you can find the search term links at the bottom of a post which will show related articles on this blog.  


thanks



If you would like to share a south Texas related history with us contact Brownsvilletrain@yahoo.com.  

Tuesday, December 22, 2015

John C. Fanning and the Annual Capitol Christmas Party

Story compiled by Javier R. Garcia from Brownsville Herald archives
(Brownsville Historical Association photo colorized by Javier R. Garcia)

On a cold rainy day on December 23, 1947, strings of colored Christmas lights stretched across E Levee St., candy canes decorated a light pole and an ebony Christmas tree stood on a platform in front of the marquee of the Capitol Theater.  The long line of kids numbering close to 1500 who received free tickets earlier that week stretched around the corner to the alley and perhaps back across the street.  Across the corner was a man and a rain slicked street wearing a raincoat with a large camera on a tripod.  It might have been the photographer from nearby Rogers Studio who snapped a photo and managed to get the attention of almost every brown faced kid anxiously waiting to get inside for the fun to begin.
It was the annual Christmas Party at the Capitol which originally began in 1930 with 100 children as guests its first year.  Thereafter kids were invited to receive gifts of fruit and candy by the Christmas tree in front of the theater and see a free matinee inside.  It was John C. Fanning who lead the parade while donning the Santa costume.
This news photo would have been after 1933 or 1938; depending on when marquee was changed.
Businessman Morris Edelstein had nice furniture giveaways in 1940!

Mr. Fanning played Santa for nine straight years until becoming ill in the early 1940s.  In 1941 he suffered a stroke and was in Mercy Hospital while a substitute Santa passed out gifts in front of the Capitol.

In 1943 Fanning was the honored guest of the Brownsville Fire Department which hosted the procession from the Central Fire Station on E Adams and 10th to the Federal Building /Post Office.  Ol’ Saint. Nick rode a hook-and-ladder truck (instead of his sleigh) which was led by a motorcycle cop, local junior high school band and jeep carrying Mr. Fannin.  With his health declined he may not have been up to the task of donning the red suit this last night.  He had once been an avid fisherman and had photos of himself with fish he caught in the gulf on the wall in his office but after the stroke of ’41 he had sold the boat and his civic work had to be less arduous.  And then he suddenly he died the next night from heart failure at the age of 68. 

The heart attack struck him while he was walking past El Jardin Hotel to his home apartment on the upper level of the Capitol.  He had been under the close supervision of his doctor and traveled to San Antonio for treatment.  He felt he recovered and made leisurely travels to Kansas and later, Mexico City.  County Attorney Franklin Graham was at his side when tragedy struck and with the help of an unknown sailor and night watchman, the three helped Mr Fanning to his room.  A doctor was called and fire department dispatched to bring their “pulmotor” to revive Fanning back to health.  Mr. Fanning repeatedly assured his last companions on earth “I’ll be alright,” but twenty-five minutes after having his stroke he was gone.
With his wife Bertie they had raised two daughters who lived in Fort Worth and a son who lived in Lubbock and supposedly had a hat called the Fanning named after him by the Knox Hat Company.

John Cullen Fanning was born August 21, 1875 in Natchez, Mississippi but raised in Fort Worth, Texas and by the time he arrived in Brownsville in the early 1920s from Cisco and Mineral Wells (places near Dallas, Texas), he already had experience operating movie theaters beginning in San Angelo since 1911. 

He partnered with Ed Brady, President of the Delta Amusement Company of San Benito and its vice-president, Brown White to operate the Texas Theater in downtown Brownsville.  Paco Betancourt, who operated the Queen Theater, joined the three men and they became the “Brownsville Amusement Company” which incorporated the Capitol, Queen and Texas theaters in 1928.  The Dent Theater chain bought out Fanning’s partners while he retained his interest in the theater.  Dent sold to Publix and Publix sold to Interstate in 1932.


The Capitol opened on Valentine’s Day 1928 to much fanfare and had a capacity to seat 1,000 persons.  By 1938 Interstate Theater gave the Capitol a complete renovation.  Fanning stayed on as its manager. 

Our story begins in the early 1930's after the Great Depression left many people out of employment.  Civic organizations in Brownsville answered the call for charity around Christmastime.  Volunteers of America, Red Cross, American Legion’s Southpoint Chapter of Disabled American Veterans, local city churches and local fire department urged the more fortunate in Brownsville to contribute to these causes for disadvantaged children. 
December 22, 1933 Brownsville Herald announcement

The Capitol was also one of sixty theaters across the United States to host the Mickey Mouse Club Theater program for kids which began in 1930.  Fanning also conceived the St. Patrick’s celebration of 1931, the Fourth of July celebration of 1929 and Better Brownsville celebration of 1932.  He also organized the “Kid Parades” to celebrate the opening of the Port of Brownsville in 1936 and was a participating organizer of Charro Days in 1937 and yearly Easter egg hunts.

Each year Fanning erected a tall ebony tree in front of the theater which was decorated with the help of local store merchants, the Brownsville Fire Department and Junior Chamber of Commerce.  This tradition probably followed the one which had begun on the former James Wells property in front of the Federal Courthouse/ Post Office on E Elizabeth and 10th St.  It was a giant 20-plus foot tree with a spreading 12 ft branch which lighted by the local electric company to honor the memory of W.B. Clint who was director of the Brownsville Chamber of Commerce for many years.  Christmas carols were broadcast down E Elizabeth St businesses over loud speakers and various groups appeared on the streets of Brownsville.  By the way, that property later became the Majestic Theater built by Interstate in 1949.
James Wells house on corner of E Elizabeth and 10th circa 1920.  There's no need to point out a large ebony tree for you to get the picture.

But the photo this story is about was taken three years after John Fanning died.  It was Interstate Theater who continued the tradition.  They ran ads with “Your theatre man – Jimmy McNeil says – Seasons Greetings to you all and suggests you -- Give Entertainment” by buying their coupons redeemable at any of their Rio Grande Valley Interstate Theaters.

The free matinee was “Philo Vance Returns,” a mystery film which seems like a lame choice for children but we'll assume they enjoyed the fun of having seen cartoons with free popcorn and candy.  What’s amazing is the absence of parents in the photo.  Where were they?  

Anyways, you get the picture.  It’s doubtful the Capitol tradition carried on much longer after Mr. Fanning’s demise.  Once the Star Drive-in was built in 1948, followed by the Majestic Theater and Charro Drive-in in 1949, the Capitol would last a few years into the late 1950s or early 1960s but its place as Brownsville’s main theater was long gone and as generations passed, the memory of John C. Fannin would fade away.

Here are a couple of more Brownsville Herald photos printed in memory to John Fanning.


2005





Friday, July 3, 2015

"Rose" c1910 presumably on the 4th of July ~ Brownsville, Texas

This photo postcard comes from the Francis Quinones scrapbook of digitized photographic images shared by William Quinones who could not provide any biographical details about the woman in the photo.  Long after Louis de Planque took photos in Brownsville and Matamoros and a few years before Robert Runyon and Manuel Morales came on to the scene there was a "C. Gilhousen" who advertised in the Brownsville, Herald as early as 1908.

"Mr. Gilhousen and wife have opened a first class photo studio in Brownsville.  They will appreciate a goodly share of your patronage.  All work done promptly and up-to-date with delicate tones and finish." [March 30, 1908]

By August 18, 1913 the Gilhousen's were still at it but who knows for how much longer after running this ad in the Daily Herald:

"Photos at bargain prices to close out present stock.  Gilhousen Studio"

This has nothing to do with the 4th of July as far as we're concerned unless someone finds out a story behind "Rose" and her ol' glorious attire.

All we know about "C. Gilhousen" is that he brought the Electric Theater from Adolf Ditmann around 1912.  Dittmann,  you may recall built Brownsville's first theater built specifically for that purpose which included a stage for vaudeville acts.  Mr Gilhousen renamed it as The Grand (not to be confused with The Grande which opened on the same spot as the Dittmann which was renovated and renamed in 1948).

1908 Adolf Dittmann 

When we see "--Adv." we can assume this is an advertisement, right?  


For more about Adolf Dittman just click on the "Early Theater History" label on the lower left corner of this post for a look at Brownsville's earliest theaters.  

Thursday, April 9, 2015

Adolf Dittman (was Dittmann)

This is going to take a while...

In Brownsville:  A Pictorial History, May 29, 1908 is the date written beneath a photograph on which Adolf sits on a horse in front of the theater.  Written on its windows on the left of the entrance is “Electric Theater” and “Teatro Electrico” on the right.  This might have been a first for audiences to see films shown in “tints and colors” as described in the Brownsville Herald newspaper briefs. 


Adolf had a collection of stage props he ordered from magician’s catalogs.  One of these, the “eerie producing skull”, could be fitted with hidden objects inside the skull and be “mysteriously” drawn from his top hat.  His tuxedo coat had many hidden pockets of various sizes to hide small objects such as coins, cards and handkerchiefs.  Many of his rare books on magic were written in English and German.  The largest prop is an ornately carved wooden table in Louis IV style.  Its legs are painted gold with carved lion heads.  It also has a secret drawer and openings on the tabletop for hidden compartments.[i]




[i]   Historic Brownsville Museum archives:  June and Adolf Dittman Jr. Collection.  Adolf Jr. described his father’s coat with many hidden pockets in an interview May 5, 2008.


Names of our first theater owners remained hidden in microfilm for years.  But we know more about Adolf Frederick Dittman from the assortment of personal belongings his family kept for years then donated to a museum.  He was born March 10, 1877 in Berlin, Germany.  His parents were August and Frederika Arndt Dittmann and he was the eldest of five children.  The family immigrated to America in 1885 and eventually settled in Salt Lake City, Utah.  When he was old enough to seek his fortune, he plied his skill as a stage magician in Chicago, Boston and New York.[i]  He learned the process of printing to write and publish songs and music.  One song which he composed was “She Thought Her Love in Vain” (1901).  From his Dittmann Publishing House in Chicago he produced a 300 page 9th edition of Romanzo Intermezzo and Skeleton Dance by Otoman Zar-Adusht Ha'nish in 1904.[ii]  His knowledge of printing and appreciation of the arts served him later in life.




[i]   Interview with Adolf Jr. and June Dittman May 5, 2008.  The personal items saved by the Dittmans proved invaluable to the writing of this article as well as microfilm of the Brownsville Daily Herald at the University of Texas at Brownsville and Texas Southmost College library.
[ii] She thought her Love in vain.” Words and music by A. Dittmann.  Arranged by R. E. Hanisch, Published by Adolf Dittmann (1901); Skeleton Dance and Romanzo Intermezzo by Otoman Zar-Adusht Ha'nish, Unknown Binding, Published 1904 by Adolf Dittman: http://www.gettextbooks.co.uk/author/Adolf_Dittmann   accessed July 30, 2009.  and  “Adolph Dittman” copy of unpublished essay by Ruby Woolridge (year unknown).



Billed as Professor Dittmann, Adolf was adept at card tricks and illusions.  One poster bill identified him as “The New Comet” and guaranteed a performance of “Enchanting Entertainment of High Class,” full of “Magic, Mirth and Mystery.”  The show was divided into five acts.  The poster loosely described miracles of magic, art and creations with the fourth act requiring absolute silence from the audience for Dittmann to demonstrate his “acquired ability with occult forces.”  Illusions of objects appearing from thin air and levitating instruments playing music by invisible hands were included in the grand finale.  Then he would mysteriously untie ropes and escape from the “mystic cabinet” by materializing in full light.[i]  The act was designed to amuse and instruct.  That is, he would reveal how certain tricks were done to assure audiences his illusions were not produced by supernatural forces.



[i]  “The New Comet” double-sided poster printed by “T. Riddell.  Job Printer.  175 W 4th South St., Salt Lake City” from the June and Adolf Jr. Collection.






The Dittmann Theater was built at 1118 Washington St. during the summer of 1910 and would rein as the most frequented place for vaudeville and cinema.  Moving pictures attracted a broader audience and were a hot new trend in entertainment but they wouldn’t replace live entertainment immediately.  Adolf surely recognized this but he also had a strong desire to book vaudeville acts and plays.  It had a seating capacity for an audience of 600 with a 24’ by 47’ stage and 27’ high ceiling.

Ditman’s continued operating his two movie houses simultaneously.  Second run movies were shown at the Electric until late 1911 after Dittman announced he would show new films at both movie houses.

By mid 1910, Brownsville was estimated to have a population of 10,610.  Soon movie venues began cropping up in the downtown area.  Materializing during the early 1910’s were The Imperial, Star, Fox, Casino, Washington, Gem and Crystal Theaters.[ii]  Every one of these theaters was short-lived.

[ii] The Imperial announces its opening for October 23, 1909.  The Star Theater gave its “initial performance” on June 30, 1910 on ‘Washington street”.  Additional ads seldom appear; the last one being found for April 19, 1911.  The Fox opened April 6, 1912.  Ads for the Casino appear periodically from February 1912 to January 28, 1914.  Washington Theater ads appear from January 8 to October of 1914.  The Gem ads appear in January and February 1914. 




Robert Runyon photo of downtown diner with theatre poster at right.
Early movie poster with Dittmann print at bottom.
Dittmann and Runyon would have been friends in their time but we don't have a photo of them together.  I believe Adolf Dittmann took this 1913 photo of New York National Guard in McAllen, Texas and that is Robert Runyon in the photo.

Adolf Dittman Jr.
Adolf Dittmann is sitting far left at this Hollywood gathering for theater managers.
According to Adolf Jr., his father also took a few photos with Runyon.  That man looks like he's texting.

Dittmann filmed for Pathe Film silent news-shorts.  This film was seen all over the United States when they would show you news before a movie.