Sunday, May 31, 2015

W.R. Jackson Feed and Seed

1951 W.R. Jackson Feed & Seed store on E Washington St. existed as early as 1932.  They specialized in garden seed, Purina Chow for livestock and poultry and insecticides.
1931

1934

Many Brownsville residents recall seeing baby chicken hatch-lings produced in Mr. Jackson’s 12,000 egg incubator.  W.R. Jackson was a pharmacist who came from North Texas to manage the F.G. Jackson Company.  

He also manufactured a roach and ant poison with a money back guarantee.  The store was relocated in the early 1990’s to its present location at 1755 E 7th St. which was originally a warehouse on 7th and Van Buren which stored freight delivered from the nearby railroad that is now a bike trail.

Junk -N- Treasure photo / Nora Vasquez

1934

1953

1972
They added Western wear to their line of products in the late 1960s and found added success.  
The store on 7th & Ringgold St.  Photo by Eddie Sanchez.

The building was relocated to 7th and Ringgold to accommodate space for the new Federal Courthouse.  Its present owner is Oscar Garcia who purchased the business in 1986 and retained the WR Jackson Company name.

Here's another building next to a railroad from 1934.  It looks like it says "Benavides" on the sign.  Anybody know anything about this?  Let us know what you know and we'll pass it along.  Thanks to Veronica Lerma & friend for posting this.

Friday, May 29, 2015

1996 Fluke - Atom Bomb (Atomix 1)

Baby got an atom bomb,
A mother fucking atom bomb,
Twenty two megatons,
You've never seen so much fun.

Wednesday, May 27, 2015

Monday, May 25, 2015

Kiskadee at Old City Cemetery


Cameron Motor Hotel postcard lowrider


1916 Boy Scouts

Boy Scouts ~ Troop 1, Brownsville, Texas, May 20, 1916 - photo by Robert Runyon 

1955 Rocket Gas Stations in the RGV

 Grand re-Opening in March 1955.  Photo:  Nora Vasquez Ernesto C. Cisneros is the man sitting in the car getting gas at his station at 5th & West Elizabeth according to his daughter Cecilia Cisneros
January 1, 1950
 Antonio Cisneros Sr had seven sons.  Antonio Jr and Ernesto owned the family business which began in in the 1930’s from a corner market and majority of businesses on the block which was sold with capital moved toward the expansion in the oil business.  As the sons aged each took a role in the family businesses which operated seven gas stations.  Antonio Jr. eventually took over operations and Ernesto bought half of the company after he returned from World War II.

October 1, 1952
 They added more stations over time.
October 1, 1952
The Cisneros family owned trucks that delivered fuel and canned their own brand of motor oil.  Fuel was purchased locally from McBride Refinery at Elsa and Port Fuel Company at Brownsville.
March 3, 1955
To celebrate the opening of new refurbished stations Cisneros Oil Company offered four gallons of Rocket gasoline free with purchase of 5 gallons of gasoline and 5 quarts of motor oil.  Free gifts were also given for a four day period from October 2 to 6, 1952.  Gifts included key chains for men, hose mending kits for women, special “Rocket” balloons for children and free cold drinks for everyone.
Cisneros Rocket “Courtesy Cards” were credit cards you could use to purchase fuel, oil, batteries and other automotive supplies on credit.

Sunday, May 24, 2015

1916 and 1929 Decoration Day

Decoration Day view from E Elizabeth from 13th St.  Robert Runyon photograph.

Decoration Day parade from corner of 12th and E Elizabeth toward E Washington St.  Photo courtesy of Rod Bates at Rio Bravo Gallery (107 S Tarnava St, Port Isabel, TX 78578).

Saturday, May 23, 2015

The first Memorial Day was Black


As we pause to remember the nation’s war dead, it’s worth remembering that Memorial Day was first celebrated by Black Union troops and free Black Americans in Charleston, South Carolina at the end of the Civil War.
Memorial Day was started by former slaves on May, 1, 1865, in Charleston, S.C., to honor 257 dead Union soldiers who had been buried in a mass grave in an upscale race track converted into a Confederate prison camp. They dug up the bodies and worked for two weeks to give them a proper burial as gratitude for fighting for their freedom. They then held a parade of 10,000 people led by 3,000 Black children, where they marched, sang and celebrated.
Memorial Day was started by former slaves on May, 1, 1865, in Charleston, S.C., to honor 257 dead Union soldiers who had been buried in a mass grave in an upscale race track converted into a Confederate prison camp. They dug up the bodies and worked for two weeks to give them a proper burial as gratitude for fighting for their freedom. They then held a parade of 10,000 people led by 3,000 Black children, where they marched, sang and celebrated.
As historian David Blight recounts in his masterful book, “Race and Reunion: The Civil War in American Memory” (2001), Charleston was occupied by Union troops in the spring of 1865, most white residents having fled the city. In this atmosphere, the free Black population of Charleston, primarily consisting of former slaves, engaged in a series of celebrations to proclaim the meaning of the war as they saw it.
The height of these celebrations took place on May 1, 1865, on the grounds of the former Washington Race Course and Jockey Club, an elite facility which had been used by the Confederates as a gruesome prison and mass grave for unlucky Union soldiers. Following the evacuation of Charleston, Black laborers had dug up the remains of Union soldiers, given them a proper burial, and built the trappings of a respectful cemetery around the site to memorialize their sacrifice.
To dedicate the cemetery to the Union’s war dead, Black and white leaders came together to organize a parade of 10,000 people, described in a New York Tribune account as “a procession of friends and mourners as South Carolina and the United States never saw before.” At the front of the parade were 3,000 Black children, laden with roses and singing “John Brown’s Body,” while bringing up the rear were a brigade of Union troops, including the Massachusetts 54th Regiment and the 34th and 104th United States Colored Troops. (The commander of the 21st United States Colored Infantry had been the one to formally accept the city’s surrender.) Following the parade and dedication in the cemetery, the crowd settled down to picnic, listen to orators and watch the troops march.

As we pause to remember the nation’s war dead, it’s worth remembering that Memorial Day was first celebrated by Black Union troops and free Black Americans in Charleston, South Carolina at the end of the Civil War.

In the years to come, there would be many variations on Memorial (or “Decoration”) Day before the nation settled on the holiday’s current form. These differences often reflected the competing visions of white Northerners and Southerners over how to remember the war, and there was generally little room in either vision for the meaning of the war for African-Americans.
But as Blight wrote in “Race and Reunion,” in its origins, Memorial Day was “founded by African Americans in a ritual of remembrance and consecration.”
James DeWolf Perry, executive director of the Tracing Center, which he co-founded, was nominated for an Emmy award for his role as the principal historical consultant for “Traces of the Trade: A Story from the Deep North,” the 2008 PBS documentary about the legacy of the Northern U.S. role in slavery and the slave trade. James also appears throughout the film as a descendant of U.S. Sen. James DeWolf of Bristol, R.I. (1764-1837), the leading slave trader in U.S. history. Since the film’s premiere, James has spoken across the nation and abroad about his family’s, and the nation’s, historic role in slavery and has facilitated discussions about the nation’s legacy of slavery and race at high schools and universities and with corporate, educational, religious and community groups. This story originally appeared on the Tracing Center.

Forgetting why we remember

Excerpt from commentary by David W. Blight
(F)or the earliest and most remarkable Memorial Day, we must return to where the war began. By the spring of 1865, after a long siege and prolonged bombardment, the beautiful port city of Charleston, S.C., lay in ruin and occupied by Union troops. Among the first soldiers to enter and march up Meeting Street singing liberation songs was the 21st United States Colored Infantry; their commander accepted the city’s official surrender.
Whites had largely abandoned the city, but thousands of Blacks, mostly former slaves, had remained, and they conducted a series of commemorations to declare their sense of the meaning of the war.
The largest of these events, forgotten until I had some extraordinary luck in an archive at Harvard, took place on May 1, 1865. During the final year of the war, the Confederates had converted the city’s Washington Race Course and Jockey Club into an outdoor prison. Union captives were kept in horrible conditions in the interior of the track; at least 257 died of disease and were hastily buried in a mass grave behind the grandstand.
These infantrymen were among the Black founders on Memorial Day on May 1, 1865, in Charleston, South Carolina.
These infantrymen were among the Black founders on Memorial Day on May 1, 1865, in Charleston, South Carolina.
After the Confederate evacuation of Charleston, Black workmen went to the site, reburied the Union dead properly and built a high fence around the cemetery. They whitewashed the fence and built an archway over an entrance on which they inscribed the words, “Martyrs of the Race Course.”
The symbolic power of this Low Country planter aristocracy’s bastion was not lost on the freedpeople, who then, in cooperation with white missionaries and teachers, staged a parade of 10,000 on the track. A New York Tribune correspondent witnessed the event, describing “a procession of friends and mourners as South Carolina and the United States never saw before.”
The procession was led by 3,000 Black schoolchildren carrying armloads of roses and singing the Union marching song “John Brown’s Body.” Several hundred Black women followed with baskets of flowers, wreaths and crosses. Then came Black men marching in cadence, followed by contingents of Union infantrymen. Within the cemetery enclosure a Black children’s choir sang “We’ll Rally Around the Flag,” the “Star-Spangled Banner” and spirituals before a series of Black ministers read from the Bible.

The war was over, and Memorial Day had been founded by African-Americans in a ritual of remembrance and consecration. The war, they had boldly announced, had been about the triumph of their emancipation over a slaveholders’ republic. They were themselves the true patriots.

After the dedication, the crowd dispersed into the infield and did what many of us do on Memorial Day: enjoyed picnics, listened to speeches and watched soldiers drill. Among the full brigade of Union infantrymen participating were the famous 54th Massachusetts and the 34th and 104th United States Colored Troops, who performed a special double-columned march around the gravesite.
The war was over, and Memorial Day had been founded by African-Americans in a ritual of remembrance and consecration. The war, they had boldly announced, had been about the triumph of their emancipation over a slaveholders’ republic. They were themselves the true patriots.
David W. Blight, a professor of history and the director of the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition at Yale, is the author of “Race and Reunion: The Civil War in American Memory“ and “American Oracle: The Civil War in the Civil Rights Era.” Read this story in its entirety in the New York Times.

This plaque in what is now called Hampton Park in Charleston, S.C., marks the place where Blacks held the first Memorial Day on May 1, 1865.

This plaque in what is now called Hampton Park in Charleston, S.C., marks the place where Blacks held the first Memorial Day on May 1, 1865.

Thursday, May 21, 2015

2010 Tierra de Nadie ~ "Vomito Negro"

I posted this on my Facebook page a way while back.  Enjoy.
Gaston Saldana / Photography

 The filming of Tierra de Nadie (No Man’s Land) – for an episode titled “Vomito Negro” (Black Vomit a.k.a. “Yellow Fever”). Written and Produced by Enrique Cattaneo and Directed by Jorge de Colima. Shot on location on E. Elizabeth St. between 10th and 11th Streets in Brownsville, Texas on August 18, 2010. Spoiler info: Details that might give away too much of the storyline next [ but this never aired so read on...]
 Writer/Producer Enrique Cattaneo explains a scene which will be filmed on Elizabeth and 10th St. to Peter “Hurry up and Wait” Goodman. Goodman is the Downtown Historic District Director and Film Commissioner for the City of Brownsville.
 Dennyce Isabel Martinez Soto rehearses her lines as the van is prepped for filming in front of the Historic Downtown Heritage Department at the Market Square building
 Enrique Cattaneo watches the van as it travels up Elizabeth St. toward 10th St.
 The interior van scene as it was filmed going past the City Hall (former Federal Courthouse) on Elizabeth and 10th St. in front of the Majestic Theater building.
 Downtown Heritage Director Joe “Wanna hear a joke?” Gavito, Production Assistant Rossy Treviño, Enrique Cattaneo and Ernesto Elizondo, Jr. on the Elizabeth St. set. Elizondo worked as and liaison for the Televisa producers and staff to work with the city and UTB/TSC. He also helped cast local talent for the production.
 Anthony Elizondo as a ghost with yellow fever gets made-up for a scene filmed August 20, 2010 in the Anulfo L. Oliveira Memorial Library at the University of Texas at Brownsville and Texas Southmost College (UTB/TSC).
 A Ft. Brown nurse who became a ghost after getting Yellow Fever gets her cap put on by Enrique.
 Anthony Elizondo gets in character in front of William Crawford Gorgas’ portrait in the Hunter Room at UTB/TSC. Gorgas came to Ft. Brown in 1882 and eventually developed methods to eradicate yellow fever epidemics by eliminating breeding conditions for mosquitoes that spread the fever. 
 In this scene as student library worker hears “someone” while alone in the Hunter Room. Although this was a very tight area to shoot in, the arrangement of book stacks (shelves) was an advantage to crew members who were only a couple feet away but out of the camera’s vision.
 Director Jorge “That was perfect! Let’s do it again” de Colima reviews the ghost nurse as seen on the monitor. Colima, who is from Brownsville and went to film school in New York, re-wrote a lot of these scenes with Cattaneo.
 Three nurses ready to reenact daily scenes around the Ft. Brown hospital now called Gorgas Hall at UTB/TSC August 21, 2010
 Director Jorge de Colima checks the camera for filming of historic scenes within the corridors of the Ft. Brown hospital.
 A typical scene of nurses and soldiers as they would have appeared a century ago as it was filmed for the Tierra de Nadie Televisa program (it was never aired - If anyone has any info to share about this please contact)
 Jorge de Colima uses a 16mm camera to film an old style hand-held camera shot.
The four horsemen behind the Gorgas Hall building at UTB/TSC. Fort Brown, built in 1867 was once a reserve for cavalry, infantry and artillery servicemen. The first three from left to right "Echevarría brothers" from La Feria and “Ricardo” at far right.
 This horse rider is rehearsing his scene down the paseo (brick walkway) which was once Heintzelman Rd. when the college was a fort. A common ghost story at UTB/TSC describes a rider coming down this path at night through a green amorphous mist. The horse’s name is Cody.
Dennyce stands on the paseo at UTB/TSC as the next scene is set-up.
 Two horsemen under the infamous “hanging tree” where people claim to be a hotspot for paranormal activity
 These horse riders (Echevarría brothers) and handlers from La Feria generously donated their horses and riding skills to bring the ghost stories to life.
 The Televisa crew outside the Anulfo L. Oliveira Memorial Library after a night filming that lasted until 4 a.m. on August 20, 2010.


Vintage Colorized Photos Exhibit opening June 4

The public will have an opportunity to own any of these rare but limited vintage colorized photos of Brownsville, Texas. Funds raised will go toward the acquisition of preservation materials for the Market Square Research Center downtown where rare photos and documents are stored. FREE admission for opening of exhibit on June 4 at 5pm ~ Brownsville Heritage Museum 1325 E Washington St (Stillman House Museum).

Tuesday, May 19, 2015

Golden by Carlos Nunez

I hate to politicize Carlos Nunez's photographs for my own ends but I just want you to imagine as I did what this scene might look like or any scene in the South Padre Island, Port Isabel and Boca Chica Beach area with smoke stacks from those five LNG Plants they want to build here.  Hopefully we can stop them before it's too late.

Thank You Carlos Nunez for all your wild life, surf, sunsets and sunrises and the historical record you build of the beautiful south Texas landscapes of our time.